Chennai Super Kings were crowned Indian Premier League 3 champions after thumping Mumbai Indians by 22 runs in a thrilling summit clash on Sunday night.

Electing to bat, Chennai posted 168 for five, thanks to Suresh Raina’s unbeaten 57 and then restricted Mumbai to 146 for nine to win their maiden IPL title in the grand finale at the packed DY Patil Stadium.

Chennai though had to spend some anxious moments towards the close of Mumbai run-chase with big-hitting Kieron Pollard threatening to almost singlehandedly win the match before he was out in the penultimate over for a 10-ball 27 which was studded with three fours and two sixes.

For Chennai, who have been playing in their second final after finishing runners-up to Rajasthan Royals in 2008, it has been a roller coaster ride having made it to the semifinal in their last league match.

Mumbai, who were playing in an IPL final for the first time, were the most consistent side in the tournament having won 10 of their 14 league matches, but they faltered at the final hurdle.

For Mumbai, captain Sachin Tendulkar, who declared himself fit for the grand finale after sustaining a right hand webbing split in first semifinal, top-scored with a 45-ball 48 which was studded with seven fours but he did not get enough support from his batting colleagues.

Tendulkar’s 66-run stand from 58 balls for the second wicket with Abhishek Nayar was the only substantial partnership for Mumbai.

Left-arm spinner Shadab Jakati emerged the most successful Chennai bowler with two for 26 while Doug Bollinger, Albie Morkel, Muttiah Muralitharan and Suresh Raina took a wicket apiece.

Mumbai began their run-chase of 169 on a shaky note with opener Shikhar Dhawan failing to score the opening over from Ravichandran Ashwin and was out in the second over bowled by Bollinger for an eight-ball duck.

Mumbai struggled for runs before Tendulkar and Nayar took 10 runs from the fifth over by hitting a four each off Ashwin.

Tendulkar, who celebrated his 37th birthday on Saturday, then smote Albie Morkel for two fours to take Mumbai to 33 for one after the first power-play.

With off-spinner Muralitharan introduced in the seventh over, runs came in trickles and he was unlucky not to have got Nayar with Matthew Hayden dropping the batsman when on eight.

Nayar struck two sixes in as many balls off Jakati in the 10th over to take Mumbai score to 58 for one at the halfway mark.

With the asking rate over 11 by the 10th over, Mumbai looked like pressing the accelerator but they lost two wickets in the 12th over with Nayar and Harbhajan Singh returning to the hut in the space of five balls.

Nayar was run out for a 26-ball 27 after being sent back by Tendulkar and Harbhajan, who was surprisingly sent up the order, was LBW to Raina for just one.

Mumbai’s hopes almost ended with the departure of Tendulkar in the 15th over and the veteran batsman, who wore the orange cap for being the tournament top scorer, was out while trying to pushed the run rate, holing out to Murali Vijay off Jakati.

Saurabh Tiwary, who have been in fine form in the tournament, followed Tendulkar three balls later as he holed out to Raina off Jakati for a duck.

Mumbai needed 68 from the last five overs and JP Duminy’s (6) departure in the 17th over did not help the Mumbai cause.

But big-hitting Kieron Pollard, who was surprisingly sent in number eight, raised hopes of a stunning victory for Mumbai by singlehandedly taking 22 runs from the 18th over bowled by Bollinger.

Mumbai needed 33 runs from the last two overs but a mix up led to Ambati Rayudu’s run out in the fifth ball of the penultimate over and next ball Pollard was out to end Mumbai’s dreams of winning the title.

Earlier, Raina took advantage of some sloppy catching by Mumbai Indians as he struck an unbeaten 57 to pilot Chennai Super Kings to 168 for five in the summit clash which was preceded by a 40-minute closing ceremony.

The left-handed Raina, who came one down on team score of 44, was dropped twice — on 14 and 28 — before making a crucial 57 not out in 35 balls embellished with three sixes and as many fours.

But for Raina’s knock and his 72-run partnership with his captain Mahendra Singh Dhoni (22 in 15 balls) for the fourth wicket, Chennai would have ended with a much lesser score.

Electing to bat, Chennai made a decent start with openers Matthew Hayden (17) and Murali Vijay (26) putting on 44 runs.

The Mumbai Indians bowling attack then put an effective shackle on the batsmen on a wicket that offered good bounce but on which the ball stopped a bit on the batsmen.

For Mumbai, tall Sri Lanka pace bowler Dilhara Fernando emerged the most successful with 2 for 23 while Zaheer Khan and Kieron Pollard picked one wicket apiece.

Openers Hayden and Vijay started cautiously and saw off one over each from Harbhajan Singh and Lasith Malinga before stepping on the accelerator.

It was the left-handed Hayden, who has been struggling in the tournament, who started the attack by hoisting Harbhajan over long on for the first six of the match in the third over.

Vijay then pulled Zaheer Khan into the stands beyond the mid-wicket area and then punched Malinga exquisitely to the extra cover fence for a four.

Malinga was then square cut by Hayden and the duo looked all-set for a big stand.

But Vijay fell caught just inside the boundary line off a skier by Saurabh Tiwary off Fernando. His 26 came off 19 balls and included two sixes and a four.

From 44 for one, it became 47 for two when Hayden, who survived a close leg before wicket appeal off Zaheer earlier, tried to charge out to Kieron Pollard and mistimed a pull to be caught behind by wicketkeeper Ambati Rayudu.

Chennai progressed to 58 for two after 10 overs, sign that Mumbai have bounced back into the game.

Raina and S Badrinath (14) got together briefly before the latter got out, caught at fine leg for 14 off Fernando.

Then came the most fruitful stand of the innings between Raina and Dhoni. They put on 72 runs in 35 balls.

But after Dhoni fell in the 18th over, it was Raina — who struck Pollard for two sixes in the 16th over in which the bowler conceded 29 runs — who made sure that his team ended with a decent total.

This was a game both India and England deserved to lose but in the end it was a tie. If the Indians seemed listless while defending a more than healthy 338, the English after being in a position to spoil the Indian party on a pitch on which the expected demons did not surface, suddenly seemed to have invoked the devil himself. In the end what transpired was the fourth ever tie in the history of the World Cup.
The match swayed like a pendulum. The Indian total of 338, set up by a record fifth World Cup ton from Sachin Tendulkar, looked good enough at the break, more so as the hosts had gone in with two spinners. England captain Andrew Strauss had different ideas as he set about all but obfuscating Tendulkar’s knock with his maiden World Cup ton.
Then came the batting Powerplay. Suddenly from an impregnable 280/2 from 43 overs, when Strauss (158, 145b, 18×4, 1×6) and Bell (69, 71b, 4×4, 1×6) were going strong with a 170-run stand off 156 balls, things turned upside down. Zaheer Khan, hit around in his first two spells and held back by Mahendra Singh Dhoni for the Powerplay, got two in two, sending back Bell and Strauss to open up the game again.
Suddenly the Indians were pumped up, as the English middle and late order collapsed. But then two sixes, one each by Graeme Swann and Tim Bresnan, both off Piyush Chawla’s final over, the penultimate one of the innings, again changed the game. Fifteen had come from that over leaving 14 required from the last to be bowled by Munaf Patel. With number 10 Ajmal Shazad on strike, the match looked to be in India’s grasp, but the drama wasn’t over by any means. A solid six and some hurriedly run singles brought the equation to two runs off the ball. They got one and the Bangalore crowd, some of whom had left early seeing India’s chances all but gone, got what they expected least. A tie!
Before that, the Indians had got most things right. Having decided to play with two spinners in Harbhajan Singh and Chawla, it was important that Dhoni won the toss and allowed his spinners the second use of the pitch. That part went along the script as did the batting, with the top-order firing for the second match in succession. It was even better that the middle-order too got a chance to show their wares and they didn’t do too badly either.
Only Tim Bresnan stood up and got noticed among English bowlers. Having dismissed the fortuitous as well as dangerous-looking Sehwag off his fifth ball, Bresnan came back at the death, to keep the Indians from running away to a total in excess of 350. His final analysis of 10-1-48-5 was true reflection of his showing on the afternoon.
No other English bowler went under five an over, with James Anderson in real danger of going for twice that. Every Indian batsman got stuck into him. Tendulkar and Gambhir used his wayward line and length to full effect. That Tendulkar (120, 115b, 10×4, 5×6) picked boundaries even off his better deliveries, ensured that it was not to be Anderson’s day.
Once Sehwag (35, 26b, 6×4) had gone, poking at Bresnan for wicketkeeper Matt Prior to bring off a fine one-handed catch diving to his right, the right-left pair of Tendulkar and Gambhir (51, 61b, 5×4) took charge. Without looking in any sort of hurry, the master-blaster milked the bowlers before assaulting them.
The innings wasn’t just about Tendulkar and Gambhir though, even if their 134-run second wicket stand set it up. There was also Yuvraj Singh, rightly promoted ahead of Kohli seeing that it was the 30th over, and Dhoni, whose 25-ball 31 went almost unnoticed. Yuvraj (58, 50b, 9×4) wasn’t at his fluent best but who knows this knock could well be the launching pad for more to come.

Vasant Panchami is a famous festival that marks the end of the winter season and ushers in the springtime. Sarasvati is the Hindu goddess of the Vasant Panchami festival. Young girls wear bright yellow dresses and participate in the festivities. The color yellow holds a special meaning for this celebration as it signifies the brilliance of nature and the vibrancy of life. The whole place bursts with yellow during the festival.

People dress in yellow and they offer yellow flowers to others and to the gods and goddesses. They also prepare and feast on a special pastry called kesar halwa or kesar halva, which is made from flour, sugar, nuts, and cardamom powder. This dish also includes saffron strands, which gives it a vibrant yellow color and mild fragrance. During the Vasant Panchami festival, India’s crop fields are filled with the color yellow, as the yellow mustard flowers bloom at this time of the year. Pens, notebooks, and pencils are placed near the goddess Devi’s feet to be blessed before they are used by students.

From time to time, many festivals are celebrated by the Hindus of India. Every festival has its own importance. Dussehara, also known as Vijaya Dashami is the festival which is unique and of great significance.

Vijaya means victory and Dashmi means tenth, so Vijaya Dashami is the other name of Dussehara, victory on the tenth. This festival falls on Aswin Shukl tenth. Lord Rama invaded Sri Lanka on this day and came out victorious. This day has been recognized auspicious to defeat an enemy. According to astrology, that period, before the rise of stars on Aswin Shukl tenth, is ‘Vijaya’. That awards Siddhi (Supernatural powers) to all deeds. Before this tenth day is widow night, which is pure. The sunrise after this is the most superior. Vijaya Dashami is a national festival of India. Prominently this is a festival of the Kshatriyas. Public, in general observe this as Ram Lila. For first nine days (Nava Ratri) of Shukl Paksh, Rama Lila is performed. On the tenth (Vijay Dashami) day, Lord Rama is taken out in a procession on a be jewelled chariot all over the streets. This day is still more lucky, if one happens to have a glance at Neel Kanth (a small eagle of blue colour). Any king, who celebrates this festival every year, against victory over his enemies with all his horses, elephants and carriers, all weapons and armour, all family members and attendants, he goes out of town and worships Gods and then pervades his enemy or his effigy, backed by enchantment of Vedic hymns, such a king is always victorious.

Lord Rama was the seventh incarnation of Vishnu. He was born during Treta Yuga, on the ninth of the light half of the month of Chetr (March-April) in the city of Ayodhya, with Dashrath as his father and Kaushalaya as the mother. At the first dawn of intelligence, he acquired much learning and withdrawing from all worldly pursuits, set out journeying through wilds and gave a fresh beauty to his life by visiting holy shrines.

Dashrath, during a war with the ashuras and in order to help the gods, was injured and his third wife, who was with him on the battle field, saved his life. So Dashrath had promised a boon to Kekeye to be availed, as and when she desired. Rama was declared as the successor to old Dashrath. Kekeye availed off the promise and got Rama to be sent to exile for fourteen years. The aim was to get her son Bharata installed in place of Rama.

Rama being righteous person, in order to save the word of his father, went into exile. His younger brother Lakshman and his wife Sita accompanied him, voluntarily. During the exile, Rama visited many saints and saved their heritage from atrocities of the demons. By a trick and magical powers, Ravana stole away Sita. Lakshman insulted Suparrnakha, the sister of Ravana.

Ravana, one of the rakshasas, two generations in descent from Brahma; the son of great rishi Visravas (son of Saint Pulsateye) born out of a Gandharva marriage with a demon wife, is said to have performed sever austerities for a period of ten thousand years, in the hope of obtaining sovereignty of the three worlds. The deity appeared to him and granted his prayer Ravana was highly learned and had obtained power from Brahma. He is said to have had ten heads, which may signify intelligence, but the ego in him was his curse. The Gods were afflicted by his rule. They solicited his dethronement, which was vouchsafed, and Rama was incarnated to accomplish this end.

Dussehara is celebrated in remembrance of the victory of Rama over Ravana. A ten headed person, has never been born, nor is, nor would be born, so this myth of ten heads is superfluous. In fact it signifies the victory over evils. Burning of the effigy of Ravana on the Vijaya Dashami day, means to get rid of the evils in a man, which are sex, lust or carnality; anger or rage, greed, avarice or temptation, attachment, allurement or infatuation, arrogance, ego or pride, jealousy, hatred, feeling of revenge, insulting others or talking ill of others, dishonesty, selfishness, intolerance, violence, cruelty or hurting others.

‘Nav’ means ‘nine’ and ‘ratri’ means ‘night’. Thus, ‘Navratri’ means ‘nine nights’. There are many legends attached to the conception of Navratri like all Indian festivals. All of them are related to Goddess Shakti (Hindu Mother Goddess) and her various forms. It is one of the most celebrated festivals of Hindu calendar, it holds special significance for Gujratis and Bengalis and one can see it in the zeal and fervor of the people with which they indulge in the festive activities of the season. Dandiya and Garba Rass are the highlights of the festival in Gujarat, while farmer sow seeds and thank the Goddess for her blessings and pray for better yield. In older times, Navratri was associated with the fertility of Mother Earth who feed us as her children.

The first three days of Navratri are dedicated to Goddess Durga (Warrior Goddess) dressed in red and mounted on a lion. Her various incarnations – Kumari, Parvati and Kali – are worshipped during these days. They represent the three different classes of womanhood that include the child, the young girl and the mature woman. Next three days are dedicated to Goddess Lakshmi (Goddess of Wealth and Prosperity), dressed in gold and mounted on an owl and finally, last three are dedicated to Goddess Saraswati (Goddess Of Knowledge), dressed in milky white and mounted on a pure white swan. Sweetmeats are prepared for the celebrations. Children and adults dress up in new bright-colored dresses for the night performances.

In some communities, people undergo rigorous fasts during this season that lasts for the nine days of Navratri. The festival culminates on Mahanavami. On this day, Kanya Puja is performed. Nine young girls representing the nine forms of Goddess Durga are worshiped. Their feet are washed as a mark of respect for the Goddess and then they are offered new clothes as gifts by the worshiper. This ritual is performed in most parts of the country. With commercialization, the festival has moved on to be a social festival rather than merely a religious one. However, nothing dampens the spirit of the devout followers of Goddess Durga, as they sing devotional songs and indulge in the celebrations of Navratri, year by year.

Every day we come to know about the preparation of Common Wealth Game (CWG) in India…

The bridge damaged the residential arrangement for the athletes are not good. Dengue, flood and condition of roads, each of them are spreading negative impression of our country across the globe………

The Times of India has also put pictures on front page about the pathetic arrangements of flats …………. The entire foreigners are nettled with the kind of grisly preparation of CWG……………

But

Despite all this, there are also positive sides of the arrangements, which we are not seeing or not being shown by newspaper or media community………………

Let’s see few snapshots of the same ……………

Ganesh Chaturthi is celebrated on the birthday of Lord Ganesh (Ganesha), the god of wisdom and prosperity on the fourth day of the moons bright fortnight, or period from new moon in the lunar month of Bhadrapada. The celebration of Ganesh Chaturthi continue for five, seven, or ten days. Some even stretch it to twenty one days, but ten the most popularly celebrated. In the tradition of the right hand path the first day is the most important. In the left hand path tradition the final day is most important.

Ganesha is the god of wisdom and prosperity and is invoked before the beginning of any auspicious work by the Hindus. It is believed that for the fulfillment of one’s desires, his blessing is absolutely necessary. According to the mythology, he is the son of Shiva and Parvati, brother of Kartikeya – the general of the gods, Lakshmi – the goddess of wealth and Saraswati-the goddess of learning. There are numerous stories in Hindu mythology, associated with the birth of this elephant-headed god, whose vehicle is the Mooshak or rat and who loves Modaks (droplet shaped Indian sweet).

Legend has it that Parvati created Ganesha out of the sandalwood dough that she used for her bath and breathed life into him. Letting him stand guard at the door she went to have her bath. When her husband, Shiva returned, the child who had never seen him stopped him. Shiva severed the head of the child and entered his house. Parvati, learning that her son was dead, was distraught and asked Shiva to revive him. Shiva cut off the head of an elephant and fixed it on the body of Ganesha.

Another tale tells of how one day the Gods decided to choose their leader and a race was to be held between the brothers- Kartikeya and Ganesh. Whoever took three rounds of the earth first would be made the Ganaadhipati or the leader. Kartikeya seated on a peacock as his vehicle, started off for the test. Ganesh was given a rat, which moved swiftly. Ganesh realised that the test was not easy, but he would not disobey his father. He reverently paid obeisance to his parents and went around them three times and thus completed the test before Kartikeya. He said, ” my parents pervade the whole universe and going around them, is more than going round the earth.” Everybody was pleasantly surprised to hear Ganesha’s logic and intelligence and hence he came to be known as the Ganaadhipati or leader, now referred to as Ganpati.

Janmashtami is the joyful celebration of Lord Krishna’s birth. Major celebrations of Krishna Janmashtami takes place at midnight as Krishna is said to have made his divine appearance in that hour. Fasting, bhajans, pujas and many other rituals mark Janmashtami celebrations in India.

Sri Krishna is considered to be one of the most endeared human incarnations of Lord Vishnu. Born more than 5000 years ago in Mathura city, the revered God of Hindu religion and his teachings hold immense relevance till date.

Rasa lila or dramatic enactments of the life of Krishna are a special feature in regions of Mathura and Vrindavan, and regions following Vaishnavism in Manipur. While the Rasa lila re-creates the flirtatious aspects of Krishna’s youthful days, the Dahi Handi celebrate God’s playful and mischievous side, where teams of young men form human pyramids to reach a high-hanging pot of butter and break it. This tradition also known as Uriadi is a major event in Tamil Nadu on Gokulashtami.

Peepli Live is a Hindi film written and directed by Anusha Rizvi in her first directorial venture, and produced by Aamir Khan. The film stars Naya Theatre company member Omkar Das Manikpuri as well as Naseeruddin Shah, Raghubir Yadav, Nawazuddin Siddiqui, Shalini Vatsa and Malaika Shenoy along with a number of newcomers.

STORY- Natha a poor farmer from Peepli village in the heart of rural India is about to lose his plot of land due to an unpaid government loan. A quick fix to the problem is the very same government’s program that aids the families of indebted farmers who have committed suicide. As a means of survival Farmer Natha can choose to die!!! His brother is happy to push him towards this unique ‘honor’ but Natha is reluctant. Local elections are around the corner and what might’ve been another unnoticed event turns into a ’cause celebré’ with everyone wanting a piece of the action. Political bigwigs, high ranking bureaucrats, local henchmen and the ever zealous media descend upon sleepy Peepli to stake their claim. The question on everyone’s lips “Will he or Won’t he?” As the mania escalates what will be the fate of Farmer Natha; nobody seems to care how he really feels?

Cast

OMKAR DAS MANIKPURI – NATHA

Omkar Das Manikpuri belongs to the state of Chattisgarh, in Central India. He started his career as a performer in the local form of folk theatre called Nacha.

Performing often in makeshift and open air stages, he honed his skills as a singer, dancer, mimic and a stand-up comic. He then joined Naya Theatre as an actor. With them he has performed in India and abroad such timeless classics as Agra Bazaar, Charandas Chor and Sadak. Peepli Live is his first feature film.

RAGHUBIR YADAV – BUDHIA

Raghubir Yadav is one of India’s leading arthouse actors and a highly gifted musician. At the age of 15 he ran away from home and joined the Parsi Theatre Company, Bombay. He later moved to Delhi, where he joined the National School of Drama (NSD).

In his stage career as an actor and singer he has performed in over 70 plays and about 2500 shows. Massey Sahib (1985) was his first feature film for which he won the Fipresci Critic’s Award, Venice Film Festival, 1986, and the Best Actor Silver Peacock, IIFI, 1987.

Three films that he has acted in have received Academy Award nominations for Best Foreign Language Film (Salaam Bombay, Lagaan and Water). He was the first actor to be cast in Peepli Live. He has also sung for the film.

MALAIKA SHENOY – NANDITA MALLIK

Malaika is a Mumbai-based model, actor, and voice-over artiste. She has anchored and hosted many programs on Indian television and has appeared in a number of advertisements. She won the Best Actress Abby at the 2003 Indian Advertising Awards for Toshiba.

Her experience as a TV presenter came in very handy for this film where she appears as a star reporter and presenter. She is also a part of the vibrant English theatre movement in Mumbai. She has appeared in two independent feature films before Peepli Live.

Natha a poor farmer from Peepli village in the heart of rural India is about to lose his plot of land due to an unpaid government loan. A quick fix to the problem is the very same government’s program that aids the families of indebted farmers who have committed suicide.

As a means of survival Farmer Natha can choose to die!!! His brother is happy to push him towards this unique ‘honor’ but Natha is reluctant. Local elections are around the corner and what might’ve been another unnoticed event turns into a ’cause celebré’ with everyone wanting a piece of the action.

Political bigwigs, high-ranking bureaucrats, local henchmen and the ever-zealous media descend upon sleepy Peepli to stake their claim. The question on everyone’s lips – “Will he or Won’t he?” As the mania escalates what will be the fate of Farmer Natha; nobody seems to care how he really feels?

SHALINI VATSA – DHANIYA

Shalini Vatsa holds an M. Phil degree in Political Science from the Jawaharlal Nehru University, New Delhi. As an actor she has worked with various acclaimed Indian theatre directors such as Habib Tanvir, Barry John, B.V. Karanth and has performed all over India and abroad.

She also trained with Barry John for Theater in Education and worked with children across sections of society including those with physical and learning disabilities, and still continues to do so. She is a full time member of Habib Tanvir’s Naya Theatre repertory and essays leading roles in plays like Zahreeli Hawa, Charandas Chor and A Midsummer Night’s Dream. Peepli Live is her first feature film.

NAWAZUDDIN SIDDIQUI – RAKESH

Nawaz is a graduate from The National School of Drama, New Delhi, India. He did theatre for many years before he started working in films. He has worked with several acclaimed and award winning directors in India. Peepli Live is his first lead role in a film. Hailing from a small town in Northern India, he was able to pitch the character nearly perfectly.

FARUKH JAFFER – AMMA

Farrukh Jaffer has been a radio actor, announcer, and film and television actor in a career that has spanned over 5 decades. She started her career at Lucknow, in Northern India, with radio plays and diversified into broadcasting, writing and compering radio programs.

She has appeared in two feature films before Peepli Live. An Urdu scholar as well as an expert on proverbs, idioms and phrases of rustic speech, Ms. Jaffer proved to be a great asset for Amma’s role. She was the final lead actor to be cast for the film and was selected after nearly a hundred auditions in many different cities.

VISHAL O SHARMA – KUMAR DEEPAK

Happy Independance all…63 years if Independance

Long years ago we made a tryst with destiny, and now the time comes when we will redeem our pledge, not wholly or in full measure, but very substantially. At the stroke of the midnight hour, when the world sleeps, India will awake to life and freedom. A moment comes, which comes but rarely in history, when we step out from the old to the new, when an age ends and when the soul of a nation, long suppressed, finds utterance…. We end today a period of ill fortune, and India discovers herself again.”

On 15 August 1947, India attained freedom from the British Rule. Every year, August 15 is celebrated as the Independence Day in India. This national festival is celebrated with great enthusiasm all over the country.

The Independence Day of any country is a moment of pride and glory. On this special occasion, rich tributes are paid to the freedom fighters who sacrificed their lives and fought to free their motherland from the clutches of the oppressors – British who ruled the country.

The British, had initially come for trade but gradually took over the total administration of the country. more…..

At the strike of midnight of the August 15, 1947, India shook off the shackles of British Rule and became free. It was a night of celebration all over the country.

Commemorating the day India attained freedom (15th August); Independence Day is celebrated with flag hoisting ceremonies and cultural programmes all over the country. The main program is held at the Red Fort where the Prime Minster unfurls the National Flag and it is saluted by Guns.

The Prime Minister’s speech at the Red Fort in Delhi is a major highlight. Patriotic presentations by school children add colors to the celebrations.

Delhi’s skyline gets dotted with thousands of kites taking to the sky this day. Similar programmes are held at all the State capitals also.

The preparations begin a month in advance. Roads are decorated with flags and buntings. Buildings of national importance are illuminated